
Things start slow, with the title track easing you into the new sound, before things get full-blown on the second cut, "Living Proof." The production is sufficient enough to mask how much is actually going on: there's piano, organ, guitars; a lot more than you'd hear on a "normal" Cat Power record. It somehow sounds right, though. You start to realize her voice is made for this kind of Southern sensibility. A song like "Lived In Bars" has a genuine timeless feel to it.
I'm a big fan of "Could We," a song that is the most blatant in its attempt to mirror the sounds of 60's R&B, and also the most blatant in its attempt at some pop appeal. It's about a minute too short for me, but the running time goes right along with the whole vintage-single feel. Things get a little slow after that, but it comes back around at the end.
"Hate" is out of place on this record, sounding like a lost song from the You Are Free sessions. It's dreary and noodly with the guitar, like a lot of good Cat Power songs. "Love & Communication" is a mix of both styles, taking her initial approach and throwing some small string parts on it.
Like I said, I have no attachment to the "real" Cat Power stuff. So, I don't have a problem going down this road, which I'm sure a lot her fans viewed as a huge sellout. But that's me, I'm without scruples.
"Living Proof"
2 comments:
Dude, enough with the Cat Power. Also, you spelled "made" m-a-i-d. I am shocked. Is there nothing to believe in anymore?
Whoops.
Post a Comment